Simon Bisley and the Art of Subversion

Since today is artist Simon Bisley's birthday (at least according to his seemingly-official Facebook fan page), I thought would be cool to give him a shout-out and reflect on what his most popular title did for me as a kid.

When I was 14, I wasn't reading comics. But my then-boyfriend was, and he'd take me to the comic shop with him on his weekly runs. During one visit, the guy working at the shop - having seen my black-clad frame enough times - handed me a promo pin that dictated, "Bite Me, Fanboy."

What was this? Was this a vampire thing? I didn't know what any of it was about, but I did know I wanted to wear that pin on my MC jacket without seeming like a "poseur," so I bought Lobo's Back #1, the comic it was promoting. That began not only my love affair with comics outside the realm of friendly superheroes, but in poring over the art of Simon Bisley, I discovered that he too was a metalhead. How? The band names he drew (Ramones, Slayer) as graffiti on various walls throughout the mini series among the other gems hidden in plain sight within the pages.

That was when I first began to understand subversion. From then on, any piece of sequential art I came across became subject to such scrutiny, and the habit stayed with me for life - when appreciating with any art form. My permanent takeaway: look past the obvious; seek out hidden meanings; and do something similar when you can. For sparking that inquisitive spirit, I'll forever be in Biz's debt.

More on Lobo - my favorite comic character to this day - can be uncovered by reading THIS. Now frag off!

New York Comic Con 2012

That's just the lobby overflow on Saturday. Artist Alley was past that Walking Dead poster at the end.

A comic con is my happy place. This happy place is made exponentially better when I don't have to get on a plane to get there. And though I'm one of "those" people who generally walks past the superhero stuff to get at the oddball vinyl toys (or stare at the Masters of the Universe display), shop the lowbrow art mini pop-up stores, or explore the more eclectic booths on the show floor, New York Comic Con has always been a good time. As a total bonus, I also get to check in with all the wonderful people I met during my brief stint in the comics world.

Even now, in its sixth year, as NYCC struggles to satisfy the sold-out capacity crowd with an exhausting amount of panels, screenings, show floor space, anime festival, autograph sessions, video game demos—in addition to the core of comics-based programming—it's still impossible to see it all. Craftman Tools had a booth, as did Hallmark and Taschen. NYCC even hosted a Trapped in the Closet sing-along. (Fun fact: according to a Crain's New York Business report, NYCC is the second largest event in New York City.)

Then there are the cosplayers. Few things in the world are more wonderful to see. Walking down aisles crowded with grown men and women dressed as Adventure Time characters, Poison Ivy, Dr. Who, Batman and a myriad of other pop-culture icons is just about the most insightful urban anthropological study one can be privy to.

This guy rules.

Want to talk about people giving no fucks? Cosplayers had no shame in their games and it was inspiring to watch. And photograph—since almost everyone's goal seemed to be finding a spot in a blog's photo gallery (mission accomplished). Truly, it's the least any of us can do to pay tribute to the many hours some spent on homemade costumes, perfecting every detail. And those who half-assed it were even more funny to check out.

On the metal tip, Kirk Hammett signed copies of his new book, the Metal Sucks bros shared a booth with Vertebrae 33 and hosted autograph sessions by Dee Snider, Alex Skolnick (who actually plugged in and played in the middle of the show floor) and tattoo legend Paul Booth. And Integrity frontman Dwid Hellion released a really ugly looking toy. As much as I love the band, there's no way I'm paying $85 for a figure that looks like a tar-dipped plucked turkey (and couldn't stand without holding the included staff).

Thee Black Heksen by Dwid Hellion

Things I bought included three of the five Frank Kozik x Kidrobot Goon Squad busts, the first Alex Pardee book, mini card prints by an artist named Seymour who showed at the Strychnin Gallery booth (a really cool Berlin-based gallery) and the graphic novel tribute to Mercyful Fate. Want to see what I saw? Check out my gallery here.

Until next year...

Tomorrow is Free Comic Book Day!

What is Free Comic Book Day? Think Record Store Day, but with lots more free giveaways, exclusives and in-store artist appearances.

Check the official Web site for participating stores near you!

And don't forget to buy the latest issue of Jonah Hex!