Let's just call them the dirty dozen... the first 12 bands I saw at this year's South by Southwest, that is. The first day, as always, was a study in controlled chaos, with badge acquisitions, cell phone service checks (Hey Verizon, if the incredible iPhone service keeps up, I might name a child after you) and meet-ups to check in to.
And then there's the inevitable Brooklyn Vegan showcase to see. Naturally, I gravitated towards the dark indoor stage where a string of ear-maligning metal bands — and Dax Riggs — performed.
The first band I saw this year were Italy's The Secret, who pummeled the crowd with their tight metalcore set. All the band members were pretty intense, but I loved that you could hear the guitarist's admiration for the first two Machine Head records in his sound. Check them out when they hit NY (or a town near you!).
Up next were KEN Mode, who, for a three-piece, managed to create a much deeper Converge-meets-Today is the Day Sound.
Then there was my beloved Dax Riggs — who I may have stalked momentarily while sampling various Sparks flavors — who ripped through a compact set of "I Hear Satan," "Wall of Death," and "Stop, I'm Already Dead." Cannot wait to see him again in NYC.
After Dax, I went over to pick my badge (missing Trash Talk), but managed to get back to see a triumphant-sound Kylesa, a couple of Surfer Blood songs and suffered through a touch of Peelander Z for a buddy who loves them. And there was a Neal Pollack hazy siesta courtesy of my dear local friend Melissa, which inevitably led us to our first night show....
...Have you ever heard of the Skatenigs? You really shouldn't have. They were a local, half-jokey early '90s act that specialized in power riffs and cheeky social commentary. Think of them as the Southern Scatterbrain. In other words, if you knew them then, you might have found this set interesting and nostalgic. But if you're like me, you found it rudimentary and boring. Seriously, their material has not aged well. And guess what? THEY'RE RECORDING A NEW ALBUM. Just what the world needs.
After that, I checked out Off!, who were really good once Keith Morris espoused the "More Rock, Less Talk" ethos and tore through an incredible set before the Bad Brains hit the outdoor stage. Sure, it was cool to see the legends live — and the set list was a good one — but it sounded like it was being played at half speed. That said, I took the opportunity to see Easy Action, who epitomize the kind of greasy, gritty sexy hard rock that would be ideal for a Robert Rodriguez soundtrack (or some rough fucking). Guys, work on your marketing. Everyone needs to know who you are, and there's only so much I can do.
From there, I decided to seek out Brooklyn's own A Place to Bury Strangers. The perfect marriage between Joy Division and My Bloody Valentine, their Exploding Head record has been a staple for months now. But I had the nagging feeling that they would suck live, not being able to pull off their textured sound without additional studio tracking. But after hearing two respected folks compare them to MBV, I had to be there. Arriving at the gargoyle-embellished goth club, Prague, I wasn't so sure. But APTBS managed to set off an intense, though slightly murky set. And yes, it was super noisy, which made for lots of hipsters covering their ears. Amateurs.
Almost appropriately, my last band of the night was Austin's own Okkervil River. At that point, my dogs were barking and I just found a seat in the back. With tons of musicians onstage and a preview of their forthcoming album, the locals made for the perfect happy-sounding, folky pop nightcap.
That's all for now. More pics here. Today: more meat and Full Metal Texas.
Showing posts with label dax riggs. Show all posts
Showing posts with label dax riggs. Show all posts
Thursday, March 17, 2011
Monday, December 20, 2010
My Top 20 Albums of 2010 & Then Some
I totally missed the memo about Agalloch*. And Watain. Instead, I spent my year fixating on ragged gentlemen with vampire obsessions (#2 & #3), a hearty batch of comeback kids (#1, #4, #10), and one incredible guilty pleasure (#10). Without any further adieu, here are my Top 20 Albums of 2010 & Then Some.
[Important addendum HERE.]
*For the record, I don't dislike Agalloch. They just take too long getting to the point.
1. Deftones - Diamond Eyes
Who would've thought the Deftones, now 20 years into their career, would create my favorite album of 2010? Yet Diamond Eyes is as perfectly familiar as it is tempered and refined. The album reels you in with the velvet fluidity of the eponymous track before moving onto "CMND/CTRL," a song as gritty as anything on Around the Fur. From there, songs like "Sextape" and "976-Evil" soothe the ear, while "Rocket Skates" and "Royal" sting with ferocity. Start to finish, this is it.
2. Dax Riggs - Say Goodnight to the World
On Say Goodnight to the World, the Louisiana native continues to perfect the art of deconstructing slow, bluesy rock tracks and enriching them with his take on Southern Gothic lore. Sultry, lo-fi numbers like "I Hear Satan," "Like Moonlight," plus his rapturous cover of Elvis Presley's "Heartbreak Hotel" resonate with dark sex appeal. Meanwhile, rockers "Let Me Be Your Cigarette" and "Gravedirt on My Blue Suede Shoes" inspire a strut even Lestat would be proud of.
3. Grinderman - Grinderman 2
As if the idea of a stripped-down incarnation of Nick Cave & the Bad Seeds wasn't appealing enough, try throwing in some of Cave's most raw & cheeky stream-of-consciousness narratives to date. Sound tempting? Just wait until "Worm Tamer" kicks in and carries you away with its cinematic grandeur. You won't come down 'til the final notes of Grinderman 2's most elevated number, "Palaces of Montezuma," subside.

4. Ratt - Infestation
Somehow, despite years of animosity following their acrimonious split, Ratt regrouped and captured lightning in a bottle once more with Infestation. And though the harmony may have been short lived, the album remains a welcome addition to their bluesy LA glam rock canon. Superbly sleazy tracks like "Eat Me Alive," "Garden of Eden" and "Lost Weekend" almost negate any unpleasant "Way Cool Jr." aftertaste we may have from the first go around.
5. Integrity - The Blackest Curse
Still as misanthropic as ever, Integrity remains one of the most controversial, polarizing American hardcore bands around. Mastermind Dwid Hellion delivers his dark visions via guttural screams that are set to monstrous, under-produced chugging riffs, paced masterfully for crucial breakdowns. Shades of Haunting the Chapel-era Slayer in the guitar playing only heightens Integrity's already-harrowing sound, particularly on "Through the Shades of Forever" and "Secret Schadenfreude."
6. Black Keys - Brothers
Having built their career on gritty Delta Blues and fuzzy riffs, the most striking thing about the Black Keys' sixth album, Brothers, is just how accessible and poppy it is. There are still plenty of soulful moments to be found, including personal favorite "Next Girl," and the crowd pleaser "Howlin For You." Stompers like "Black Mud" and "Tighten Up" only cement the fact that the Black Keys have truly found their groove.
7. Demon Hunter - The World is a Thorn
I've always had a soft spot for Demon Hunter. The Seattle-based Christian metalcore act have consistently managed to create gloriously heavy music, with plenty of smart electronic flourishes and textured harmonies to keep things interesting. And this album is no different. Infused with new energy after a significant lineup change, The World is a Thorn might be their best work since 2004's Summer of Darkness.
8. Black Mountain - Wilderness Kingdom
Decidedly more mellow than 2008's In the Future, Black Mountain's latest offering still embodies everything I love about the Canadian psychedelic rockers. The entwined vocals of Amber Webber and Stephen McBean remain, as do the band's trademark grooves and symphonic harmonies; and their Sabbath influence continues to shine on songs like "Let Spirits Ride."
9. Girl Talk - All Day
While I do admit to having some issues with obvious song choices (both "Single Ladies" and Fugazi's "Waiting Room," really?), All Day is still endearing in so many ways. How can you eff up something that starts off with Black Sabbath's "War Pigs" and manages to work Dorrough's "Ice Cream Paint Job" into the opening track? And while there were certainly ebbs and flows of interesting moments, Gregg Gillis's latest remains a whimsical musical capture for X- and Y-gen'ers.
10. Lil Jon - Crunk Rock
At this point, it's not even accurate to refer to Lil Jon as a rapper. Why bother writing verses when you've developed the leading formula for crunk hits? Balancing Euro-baiting thumping beats, convoluted chants about drinking, dancing and pussy popping, plus random guest appearances by the likes of R. Kelly, Ice Cube and Ying Yang Twins, Lil Jon created a whimsical dance album that's impossible not to shake your ass to. Once you check your brain at the door, that is. Fuck lyrics, get paid.
11. Dead Weather - Sea of Cowards
12. Karma to Burn - Appalachian Incantation
13. The Bled - Heat Fetish
14. Sade - Soldier of Love
15. Intronaut - Valley of Smoke
16. Envy - Recitation
17. Titus Andronicus - The Monitor
18. Torche - Songs for Singles
19. Off! - The First Four EPs
20. Mark Ronson & The Business Intl - Record Collection
Early Graves - Goner
Daughters - s/t
The Sword - Warp Riders
Miniature Tigers - Fortress
Monster Magnet - Mastermind
High on Fire - Snakes for the Divine
Coliseum - House With a Curse
Murder Construct - s/t EP
Death Angel - Relentless Retribution
My Chemical Romance - Danger Days
The Binary Code - Priest EP
Melvins - The Bride Screamed Murder
Various Artists - Metal Swim (Adult Swim compilation)
Brett Detar - Bird in a Tangle
Cee Lo Green - The Lady Killer
Chiodos - Illuminaudio
Black Cruel Dove - The Myth and the Sum EP
Jamey Johnson - The Guitar Song
Murder by Death - Good Morning, Magpie
Meh:
H.I.M. - Screamworks: Love in Theory and Practice, Chapters 1-13
Nachtmystium - Addicts: Black Mettle Pt II
Black Rebel Motorcycle Club - Beat the Devil's Tattoo
Yeasayer - Odd Blood
Christina Aguilera - Bionic
Never Got Around to Listening To... (Yet):
Sleigh Bells - Treats
The Body - All the Waters of the Earth Turn to Blood
Kanye West - My Beautiful Dark Twisted Fantasy
Interpol - s/t
Dungen - Skit I Allt
Please, PJ, Don't Hurt 'Em
What are you doing, lady?
Written On The Forehead by pjharvey
[Important addendum HERE.]
*For the record, I don't dislike Agalloch. They just take too long getting to the point.
1. Deftones - Diamond Eyes
Who would've thought the Deftones, now 20 years into their career, would create my favorite album of 2010? Yet Diamond Eyes is as perfectly familiar as it is tempered and refined. The album reels you in with the velvet fluidity of the eponymous track before moving onto "CMND/CTRL," a song as gritty as anything on Around the Fur. From there, songs like "Sextape" and "976-Evil" soothe the ear, while "Rocket Skates" and "Royal" sting with ferocity. Start to finish, this is it.
2. Dax Riggs - Say Goodnight to the World
On Say Goodnight to the World, the Louisiana native continues to perfect the art of deconstructing slow, bluesy rock tracks and enriching them with his take on Southern Gothic lore. Sultry, lo-fi numbers like "I Hear Satan," "Like Moonlight," plus his rapturous cover of Elvis Presley's "Heartbreak Hotel" resonate with dark sex appeal. Meanwhile, rockers "Let Me Be Your Cigarette" and "Gravedirt on My Blue Suede Shoes" inspire a strut even Lestat would be proud of.
3. Grinderman - Grinderman 2
As if the idea of a stripped-down incarnation of Nick Cave & the Bad Seeds wasn't appealing enough, try throwing in some of Cave's most raw & cheeky stream-of-consciousness narratives to date. Sound tempting? Just wait until "Worm Tamer" kicks in and carries you away with its cinematic grandeur. You won't come down 'til the final notes of Grinderman 2's most elevated number, "Palaces of Montezuma," subside.

4. Ratt - Infestation
Somehow, despite years of animosity following their acrimonious split, Ratt regrouped and captured lightning in a bottle once more with Infestation. And though the harmony may have been short lived, the album remains a welcome addition to their bluesy LA glam rock canon. Superbly sleazy tracks like "Eat Me Alive," "Garden of Eden" and "Lost Weekend" almost negate any unpleasant "Way Cool Jr." aftertaste we may have from the first go around.
5. Integrity - The Blackest Curse
Still as misanthropic as ever, Integrity remains one of the most controversial, polarizing American hardcore bands around. Mastermind Dwid Hellion delivers his dark visions via guttural screams that are set to monstrous, under-produced chugging riffs, paced masterfully for crucial breakdowns. Shades of Haunting the Chapel-era Slayer in the guitar playing only heightens Integrity's already-harrowing sound, particularly on "Through the Shades of Forever" and "Secret Schadenfreude."
6. Black Keys - Brothers
Having built their career on gritty Delta Blues and fuzzy riffs, the most striking thing about the Black Keys' sixth album, Brothers, is just how accessible and poppy it is. There are still plenty of soulful moments to be found, including personal favorite "Next Girl," and the crowd pleaser "Howlin For You." Stompers like "Black Mud" and "Tighten Up" only cement the fact that the Black Keys have truly found their groove.
7. Demon Hunter - The World is a Thorn
I've always had a soft spot for Demon Hunter. The Seattle-based Christian metalcore act have consistently managed to create gloriously heavy music, with plenty of smart electronic flourishes and textured harmonies to keep things interesting. And this album is no different. Infused with new energy after a significant lineup change, The World is a Thorn might be their best work since 2004's Summer of Darkness.
8. Black Mountain - Wilderness Kingdom
Decidedly more mellow than 2008's In the Future, Black Mountain's latest offering still embodies everything I love about the Canadian psychedelic rockers. The entwined vocals of Amber Webber and Stephen McBean remain, as do the band's trademark grooves and symphonic harmonies; and their Sabbath influence continues to shine on songs like "Let Spirits Ride."
9. Girl Talk - All Day
While I do admit to having some issues with obvious song choices (both "Single Ladies" and Fugazi's "Waiting Room," really?), All Day is still endearing in so many ways. How can you eff up something that starts off with Black Sabbath's "War Pigs" and manages to work Dorrough's "Ice Cream Paint Job" into the opening track? And while there were certainly ebbs and flows of interesting moments, Gregg Gillis's latest remains a whimsical musical capture for X- and Y-gen'ers.
10. Lil Jon - Crunk Rock At this point, it's not even accurate to refer to Lil Jon as a rapper. Why bother writing verses when you've developed the leading formula for crunk hits? Balancing Euro-baiting thumping beats, convoluted chants about drinking, dancing and pussy popping, plus random guest appearances by the likes of R. Kelly, Ice Cube and Ying Yang Twins, Lil Jon created a whimsical dance album that's impossible not to shake your ass to. Once you check your brain at the door, that is. Fuck lyrics, get paid.
11. Dead Weather - Sea of Cowards
12. Karma to Burn - Appalachian Incantation
13. The Bled - Heat Fetish
14. Sade - Soldier of Love
15. Intronaut - Valley of Smoke
16. Envy - Recitation
17. Titus Andronicus - The Monitor
18. Torche - Songs for Singles
19. Off! - The First Four EPs
20. Mark Ronson & The Business Intl - Record Collection
Early Graves - Goner
Daughters - s/t
The Sword - Warp Riders
Miniature Tigers - Fortress
Monster Magnet - Mastermind
High on Fire - Snakes for the Divine
Coliseum - House With a Curse
Murder Construct - s/t EP
Death Angel - Relentless Retribution
My Chemical Romance - Danger Days
The Binary Code - Priest EP
Melvins - The Bride Screamed Murder
Various Artists - Metal Swim (Adult Swim compilation)
Brett Detar - Bird in a Tangle
Cee Lo Green - The Lady Killer
Chiodos - Illuminaudio
Black Cruel Dove - The Myth and the Sum EP
Jamey Johnson - The Guitar Song
Murder by Death - Good Morning, Magpie
Meh:
H.I.M. - Screamworks: Love in Theory and Practice, Chapters 1-13
Nachtmystium - Addicts: Black Mettle Pt II
Black Rebel Motorcycle Club - Beat the Devil's Tattoo
Yeasayer - Odd Blood
Christina Aguilera - Bionic
Never Got Around to Listening To... (Yet):
Sleigh Bells - Treats
The Body - All the Waters of the Earth Turn to Blood
Kanye West - My Beautiful Dark Twisted Fantasy
Interpol - s/t
Dungen - Skit I Allt
Please, PJ, Don't Hurt 'Em
What are you doing, lady?
Written On The Forehead by pjharvey
Tuesday, December 7, 2010
My Top 10 Concerts of 2010
It was easy to rattle off my top four shows of 2010, but after that it became a real struggle to sort out which live experiences were so satisfyingly exalting that they left an indelible impression. Plus all these concerts had last year's bounty (NIN, Jesus Lizard, St. Vitus), and SxSW '09 to compete with.
And it wasn't due to lack of attendance, either. It pains me to say it, but Iron Maiden's set list on the "Final Frontier" tour left a lot to be desired. I made it to the first Faith No More show at the Williamsburg waterfront, but they were never a band I was particularly infatuated with. Seeing them was cool, but there were no transcendent moments (sorry, Elise). I still find myself wondering if I'd be able to hear them on my side of the river at Styuvesant Cove Park while sitting on a bench with a 40.
But there were still some incredible highlights this year that included my virginal pilgrimage to the ATP NY Fest, plus the access I've had to dozens of eclectic artists when they played the P.C. Richard & Son Theater for my day job. I can now officially say I've seen the Doobie Brothers.
With that, here are my selections for Top 10 Shows of 2010, in order.
[Also, read this important addendum about Prince at MSG.]
Iggy & The Stooges / Sleep @ ATP NY
It would have pleased me enough to simply watch Iggy Pop, Mike Watt & the Stooges perform all of Raw Power during an energetic set in an amazing-sounding room. But then I got to see (and literally FEEL) Sleep play for more than two hours immediately afterward. Throw in the wonderment of a nearby saucer-eyed concertgoer with a penchant for throwing out glow sticks, plus a cover of Ozzy Osbourne's "Over the Mountain" into the mix, and you suddenly have my vote for concert experience of the year.
Altar + the Rest of ATP NY
By far, the most eclectic, well-curated, greatest vibes-having festivals must be put on by All Tomorrows Parties, and my inaugural experience at this year's Catstkills gathering will surely not be my last. Where else could I see members of the Wu-Tang Clan, Ron Jeremy and the body-punishing Altar ritual all within an hour? Other bands I got to see included Sonic Youth, Mudhoney, Dungen, White Hills, Shellac, the Breeders, Hope Sandoval, Fucked Up, T Model Ford, Explosions in the Sky (above) plus several others. I'll be back next year, Monticello.

Concrete Blonde @ Webster Hall
Who knew Concrete Blonde were so good? Who knew Johnette Napolitano would still be so hot in her 50s? Who knew they were so lesbian-centric? Originally, I bought a ticket to watch CB perform Bloodletting in its entirety, the only album I really knew inside out (the only other album I had in my teens was Mexican Moon), but when I came home from the show, impressed with both Napolitano's well-preserved voice, and how she used it to belt out everything from "Ghost of a Texas Ladies Man" to "Heal It Up" to "Tomorrow, Wendy," I bought the whole damn discography.

Dax Riggs @ Mercury Lounge
The hypnotic Southern vampire charms of Dax Riggs have been discussed a great deal in the press. But really, it's all about the way he's able to transform simply-structured songs into smoldering, sinuous pantie droppers. To see him live is to want to throw 'em at him and his pillowy lips. Meow.

Grinderman @ Best Buy Theater
Though I was sadly too sick to really enjoy the raw, sonic nature of Grinderman's NY show, I quickly noted that having Nick Cave sing into my face would have to be on my ultimate bucket list. And with multi-instrumentalist Warren Ellis in on the act—and almost upstaging Cave—this was one show I'm glad I didn't miss.

Eyehategod @ Europa
One of the band's best, highest energy sets in recent years. This affair only seemed to get better with every round of whiskey. Bower Power 4 life.

Weedeater @ The Studio/Webster Hall
This show was one of those oddly exalted affairs that was as surreal as it was vaulting, and filled with great vibes. Weedeater put on a thunderous set filled with sludgy Southern-fried metal, during which bandleader Dixie Dave took liberal sips from a bottle of 'Tussin that he taped to the stage wall. Boy, did those people in the house for Webster Hall's concurrent '80s Prom party seem confused when they walked in to catch a glipse.

Boris / Torche / Russian Circles @ Music Hall of Williamsburg
It was loud. Very, very loud. This Blackened Series concert found the perfect formula for curating bands. Russian Circles' trance-inducing instrumental set showcased a band on the verge; now in their prime, Torche proved they were worth all the attention they were getting with Songs for Singles; and Boris played with the confidence of a well-seasoned act. Well done, Adam Shore.
Duffy @ P.C. Richard & Son Theater
Through my day job, I get to see a lot of artists play tiny, intimate shows at this private venue. During the past year, I've witnessed everyone from Adam Lambert to Robyn to Heart live. I even caught Selena Gomez ripping into Pat Benatar's "Love is a Battlefield" before warping it into Jason Derulo's "In My Head" during sound check. But by far, my favorite time was watching little Welsh singer Duffy (she of "Mercy" fame) perform with a 15-piece band that included horns, string sections and synchronized hand-clapping all the while she crooned away in her Dusty Springfield-esque voice.

Bad Religion @ Irving Plaza
This was the first performance of Bad Religion's three-night stand on a 30th Anniversary tour that promised to span their entire career. And it fucking did. Not only did BR reach back to their infancy, but they also covered all the hits from "Do What You Want," "Suffer," "Along the Way" and "I Want to Conquer the World" to "Latchkey Kids," "We're Only Gonna Die" and "No Control." Anyone unhappy with the set list can suck it.
5 Shows I Enjoyed Completely Unironically:
Ratt @ Irving Plaza
Pat Benatar @ Nokia Theater
Vampires Everywhere @ The Studio/Webster Hall (ok, maybe a little ironically)
Lil' Kim @ Irving Plaza
Death Angel @ Gramercy Theater
And the Rest:
Bucket List Check-Off - Greg Dulli @ Bowery Ballroom; ZZ Top @ Beacon Theater
Weakest Performance - Entombed @ Gramercy Theater
Best Redemption - Social Distortion @ Roseland
Why Was I There? - Fintroll / Moonsorrow @ Gramercy Theater
Falling Out of Love is Such Sweet Sorrow - H.I.M. @ Irving Plaza x2!
Can't Believe It - I haven't seen Clutch once this year. Feels weird.
And it wasn't due to lack of attendance, either. It pains me to say it, but Iron Maiden's set list on the "Final Frontier" tour left a lot to be desired. I made it to the first Faith No More show at the Williamsburg waterfront, but they were never a band I was particularly infatuated with. Seeing them was cool, but there were no transcendent moments (sorry, Elise). I still find myself wondering if I'd be able to hear them on my side of the river at Styuvesant Cove Park while sitting on a bench with a 40.
But there were still some incredible highlights this year that included my virginal pilgrimage to the ATP NY Fest, plus the access I've had to dozens of eclectic artists when they played the P.C. Richard & Son Theater for my day job. I can now officially say I've seen the Doobie Brothers.
With that, here are my selections for Top 10 Shows of 2010, in order.
[Also, read this important addendum about Prince at MSG.]
Iggy & The Stooges / Sleep @ ATP NY
It would have pleased me enough to simply watch Iggy Pop, Mike Watt & the Stooges perform all of Raw Power during an energetic set in an amazing-sounding room. But then I got to see (and literally FEEL) Sleep play for more than two hours immediately afterward. Throw in the wonderment of a nearby saucer-eyed concertgoer with a penchant for throwing out glow sticks, plus a cover of Ozzy Osbourne's "Over the Mountain" into the mix, and you suddenly have my vote for concert experience of the year.
Altar + the Rest of ATP NY
By far, the most eclectic, well-curated, greatest vibes-having festivals must be put on by All Tomorrows Parties, and my inaugural experience at this year's Catstkills gathering will surely not be my last. Where else could I see members of the Wu-Tang Clan, Ron Jeremy and the body-punishing Altar ritual all within an hour? Other bands I got to see included Sonic Youth, Mudhoney, Dungen, White Hills, Shellac, the Breeders, Hope Sandoval, Fucked Up, T Model Ford, Explosions in the Sky (above) plus several others. I'll be back next year, Monticello.

Concrete Blonde @ Webster Hall
Who knew Concrete Blonde were so good? Who knew Johnette Napolitano would still be so hot in her 50s? Who knew they were so lesbian-centric? Originally, I bought a ticket to watch CB perform Bloodletting in its entirety, the only album I really knew inside out (the only other album I had in my teens was Mexican Moon), but when I came home from the show, impressed with both Napolitano's well-preserved voice, and how she used it to belt out everything from "Ghost of a Texas Ladies Man" to "Heal It Up" to "Tomorrow, Wendy," I bought the whole damn discography.

Dax Riggs @ Mercury Lounge
The hypnotic Southern vampire charms of Dax Riggs have been discussed a great deal in the press. But really, it's all about the way he's able to transform simply-structured songs into smoldering, sinuous pantie droppers. To see him live is to want to throw 'em at him and his pillowy lips. Meow.

Grinderman @ Best Buy Theater
Though I was sadly too sick to really enjoy the raw, sonic nature of Grinderman's NY show, I quickly noted that having Nick Cave sing into my face would have to be on my ultimate bucket list. And with multi-instrumentalist Warren Ellis in on the act—and almost upstaging Cave—this was one show I'm glad I didn't miss.

Eyehategod @ Europa
One of the band's best, highest energy sets in recent years. This affair only seemed to get better with every round of whiskey. Bower Power 4 life.

Weedeater @ The Studio/Webster Hall
This show was one of those oddly exalted affairs that was as surreal as it was vaulting, and filled with great vibes. Weedeater put on a thunderous set filled with sludgy Southern-fried metal, during which bandleader Dixie Dave took liberal sips from a bottle of 'Tussin that he taped to the stage wall. Boy, did those people in the house for Webster Hall's concurrent '80s Prom party seem confused when they walked in to catch a glipse.

Boris / Torche / Russian Circles @ Music Hall of Williamsburg
It was loud. Very, very loud. This Blackened Series concert found the perfect formula for curating bands. Russian Circles' trance-inducing instrumental set showcased a band on the verge; now in their prime, Torche proved they were worth all the attention they were getting with Songs for Singles; and Boris played with the confidence of a well-seasoned act. Well done, Adam Shore.
Duffy @ P.C. Richard & Son Theater
Through my day job, I get to see a lot of artists play tiny, intimate shows at this private venue. During the past year, I've witnessed everyone from Adam Lambert to Robyn to Heart live. I even caught Selena Gomez ripping into Pat Benatar's "Love is a Battlefield" before warping it into Jason Derulo's "In My Head" during sound check. But by far, my favorite time was watching little Welsh singer Duffy (she of "Mercy" fame) perform with a 15-piece band that included horns, string sections and synchronized hand-clapping all the while she crooned away in her Dusty Springfield-esque voice.

Bad Religion @ Irving Plaza
This was the first performance of Bad Religion's three-night stand on a 30th Anniversary tour that promised to span their entire career. And it fucking did. Not only did BR reach back to their infancy, but they also covered all the hits from "Do What You Want," "Suffer," "Along the Way" and "I Want to Conquer the World" to "Latchkey Kids," "We're Only Gonna Die" and "No Control." Anyone unhappy with the set list can suck it.
5 Shows I Enjoyed Completely Unironically:
Ratt @ Irving Plaza
Pat Benatar @ Nokia Theater
Vampires Everywhere @ The Studio/Webster Hall (ok, maybe a little ironically)
Lil' Kim @ Irving Plaza
Death Angel @ Gramercy Theater
And the Rest:
Bucket List Check-Off - Greg Dulli @ Bowery Ballroom; ZZ Top @ Beacon Theater
Weakest Performance - Entombed @ Gramercy Theater
Best Redemption - Social Distortion @ Roseland
Why Was I There? - Fintroll / Moonsorrow @ Gramercy Theater
Falling Out of Love is Such Sweet Sorrow - H.I.M. @ Irving Plaza x2!
Can't Believe It - I haven't seen Clutch once this year. Feels weird.
Sunday, August 15, 2010
Dax Riggs Might Be a Vampire
What is it about New Orleans natives and their obsessions with preternatural creatures? Louisiana-bred Dax Riggs seems to be no exception, and in fact, may be a vampire himself.
Exhibit A: The guy doesn't age. Watching him onstage last night at Mercury Lounge in his trademark white T-shirt and jeans, it was hard to imagine that the baby-faced singer/songwriter is in his late 30s—and that Acid Bath first hit the scene in 1991.
Exhibit B: Virtually all of Riggs's songs touch upon grand themes of redemption, sin, life and death, usually pointing out the slight subtleties between the latter two. [See: last night's throwback track, Deadboy & the Elephantmen's "Stop, I'm Already Dead."]
Exhibit C: Like any other charismatic undead character, Dax Riggs controls a cult-like stable of minions. An eclectic bunch to be sure (and not a void of beardos, as predicted), the audience reacted to even the slightest gesture from their leader—including a round of hollers for a simple mic check. Unfortunately, the devoted were also a bit misguided, like the dick in the High on Fire jersey who insisted on spending the entire night with his hand in the air recording the show on his Nano. Really buddy, I'm sure it's not the view everyone behind you was paying for.
Riggs didn't disappoint his followers in any way on Saturday night. Kicking things off with "I Hear Satan" from his brand-new album, Say Goodnight to the World, he stuck to a set rooted in new songs, plus those off of 2007's hypnotic We Sing of Only Blood or Love. Favorites like "Night is the Notion," "Demon Tied to a Chair in My Brain," and "Living is Suicide" were followed by renditions of newbies "Let Me Be Your Cigarette," "Gravedirt on My Blue Suede Shoes" and the sexiest cover of Elvis Presley's "Heartbreak Hotel" ever made. Elvis may have had the pelvis, but Riggs is set with those pillowy lips and often sings like he's delivering a sloppy kiss.
New tracks sounded fuller with his tight backup band; older tracks were sped up with kicked-up urgency. And though Dax Riggs's songs don't tend to break the three-minute mark, the hour-long set went by so quickly that some were undoubtedly left disappointed by certain exclusions.
Me? I would've killed to hear "Radiation Blues." Maybe I'll find out if he plays it tonight during his second gig at Mercury Lounge.
I think I've been glamored.
More amateur live show pics can be found here.
Tuesday, March 30, 2010
It's Been A While..
Where did March go? It dawned on me that it's been almost a month since I posted on here. Coincidentally, it's almost been as long since my last gym visit, but Lost is on soon, so I figured this was the way to go.
Work's been busy with all sorts of fun stuff, but somehow I found the time to interview Ratt's Stephen Pearcy for Metal Sucks and got a preview of their stellar forthcoming album, Infestation. I got to tell Pearcy all about Ratturday, averted a "Way Cool Jr." pun, and please believe I melted a little in my seat when the elder statesman of thigh bruisers referred to me as "girlie." Look for that write-up shortly.
Besides swooning over a 50-yr-old man, I managed to avoid lots of other aging rockers by not attending South by Southwest this year. While it would have been awesome to hang out in a beer- and BBQ sauce-basted city surrounded by 95 percent of my favorite people on Earf, the lineup seemed way more like a '90s revival than a new music festival (Stone Temple Pilots and Hole were leading headliners). I could have done without it all except for the Sword/ Year Long Disaster/ Motorhead show at Stubb's. THAT would have been cool to see. Did anyone out there besides Henry Owings witness the alleged Shellac gig?
I'm actually quite excited about a bunch of shows going on around NYC in May, including Karma to Burn with Year Long Disaster at Knitting Factory, the Yuppicide reunion at the Black N Blue Ball, plus two nights of HIM (don't judge me) at Irving Plaza.
Cannot wait to sink my teeth into the forthcoming Deftones record, Daughters' latest, and someone needs to tell me if the new Black Rebel Motorcycle Club album is any good. As for stuff I've been listening to: Dax Riggs. Lots and lots of Dax Riggs. Also, the four-disc deluxe edition of Iggy & The Stooges' Raw Power is pretty effin dope, its greatest revelation being Georgia Peaches - Live at Richard's Atlanta, 1973. Last good show was Black Dahlia Murder at a packed Santos Party House.
Until next time... play them out, Dax:
Work's been busy with all sorts of fun stuff, but somehow I found the time to interview Ratt's Stephen Pearcy for Metal Sucks and got a preview of their stellar forthcoming album, Infestation. I got to tell Pearcy all about Ratturday, averted a "Way Cool Jr." pun, and please believe I melted a little in my seat when the elder statesman of thigh bruisers referred to me as "girlie." Look for that write-up shortly.
Besides swooning over a 50-yr-old man, I managed to avoid lots of other aging rockers by not attending South by Southwest this year. While it would have been awesome to hang out in a beer- and BBQ sauce-basted city surrounded by 95 percent of my favorite people on Earf, the lineup seemed way more like a '90s revival than a new music festival (Stone Temple Pilots and Hole were leading headliners). I could have done without it all except for the Sword/ Year Long Disaster/ Motorhead show at Stubb's. THAT would have been cool to see. Did anyone out there besides Henry Owings witness the alleged Shellac gig?
I'm actually quite excited about a bunch of shows going on around NYC in May, including Karma to Burn with Year Long Disaster at Knitting Factory, the Yuppicide reunion at the Black N Blue Ball, plus two nights of HIM (don't judge me) at Irving Plaza.
Cannot wait to sink my teeth into the forthcoming Deftones record, Daughters' latest, and someone needs to tell me if the new Black Rebel Motorcycle Club album is any good. As for stuff I've been listening to: Dax Riggs. Lots and lots of Dax Riggs. Also, the four-disc deluxe edition of Iggy & The Stooges' Raw Power is pretty effin dope, its greatest revelation being Georgia Peaches - Live at Richard's Atlanta, 1973. Last good show was Black Dahlia Murder at a packed Santos Party House.
Until next time... play them out, Dax:
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